【1多點常玉腕錶】花 / Flowers in Vase

在藝術家常玉的世界裡，也有一個屋子裡的春天，刷上溫暖的黃 擺上劍蘭的綠，劍蘭開枝散葉 如指針交會出優雅寧靜，在桌邊的小虎斑貓伸出小小的爪，努力往前搆著 調皮入侵這片靜謐 時間靜止在這頭，用帶有青草香氣的綠檀木 作為這幅時光的畫框，彷彿聞到春天的清香綠檀的木紋斑斕，如同畫中的小虎斑貓，墨綠色植鞣染皮革錶帶 像貓兒的掌那麼柔軟，三支指針像高低錯落的劍蘭，可以聽見時間規律安靜的呼吸。

A world of solitude was delightedly evaded by a visitor, a tiny tabby, who naughtily approached the elegant gladiolus in a crystal-clear vase, implying an upcoming scene and sound. The leaves of gladiolus stretched gracefully like a watch’s hands that silently tell the time. idodan chose #Verawood as the frame for this collection. The wood has a fresh green scent smells like spring; and its feathered grain pattern echoes with the tabby’s stripes in the painting. We use genuine leather watch strap colored through vegetable tanned, making it as soft as paw pads. The three hands stand like the elegant gladiolus yet move as regularly and quietly as time.

 典藏資料:

國立歷史博物館藏《花》（館藏編號26888）為常玉（1901-1966）作品之一；黃色的背景襯托出插在透明瓶中的白劍蘭，氣氛格外優雅寧靜，劍蘭以輻射狀向四方伸展，桌邊一隻灰色小貓悄悄地伸爪搆向桌邊的花瓶，小貓頑皮的動作起了點綴的作用，讓寧靜的氣氛中帶著一絲活潑的氣息，觀者彷彿可以預見花瓶即將被小貓打破的畫面。

常玉出生於中國四川順慶(1935年改名南充)，自幼在故鄉隨父親習畫，之後向書法家趙熙(1867-1948)習字，1921年因「勤工儉學」計畫前往巴黎，是早期留法學習藝術創作的中國畫家之一。他的作品融合了中國與西方藝術特色，經常利用簡潔有力的線條、造形與輪廓呈現獨特的個人風格，繪畫造形簡練、色彩單純，裸女、植物花卉、有動物的風景為其三大創作主題。 

SANYU was one of the earliest Chinese artists to study in Paris. His works combine Chinese and Western art features, often using simple and powerful lines, shapes and contours to present a unique personal style. The paintings are simple and simple in color, and the nude girls, plants and flowers, and animal scenery are the three major themes.