【1多點常玉腕錶】斑馬 / Zebra

在空曠的原野中，斑馬恣意奔往斷崖般不可知的天地交界，墨藍的天 鮮紅色的大地，瀰漫詭譎又超現實的美是夢境 也是生命，終究要心甘情願的，臣服於浩然宇宙天地 順應時間的推移，酒紅色的黃檀，蘊藏黑色的細緻木紋，呼應著斑馬身上特有的黑白紋路，錶帶和裱框上的深邃暗紅色會隨著時間轉深，像君子像陳酒隨著時間沈澱出香醇沈穩，拋光銀色的指針銳利清晰，像曠野中的三道閃電 當下一瞬，1多點 idodan的logo則由銀轉為深藍，低調融為天地的一部分。

Running among the bizarre colored sky and land, all the way toward the horizon, what’s awaiting the zebras is uncertainty. The surreal atmosphere is beautiful like dreams yet real as life. There’s no clear boundary between realism and surrealism. We learn to surrender to the universe and the nature of time. idodan chose #cocobolo to pair with “Zebra” for its color of deep wine red with streaks of black echo the zebra stripes. The rich red color turns darker as it ages, just like people who age like fine wine.Silver hands beam as bright lightning strikes against the dark sky. idodan’s logo color, which was silver, was replaced with dark blue to fit and become part of the sky of this painting.The present moment is where eternity exists.

典藏資料:

國立歷史博物館藏《斑馬》（館藏編號26878），為常玉（1901-1966）作品之一；此件作品表現斑馬在空曠原野中奔跑，但目的卻渺不可知，以深藍與紅色作為背景，表現出昏暗深邃的天幕與詭譎氣氛的大地。常玉作品中經常表現心境上的孤單，對應於大自然的巨大，動物顯得渺小，反應了當常玉年紀已屆中晚年，對未來充滿了不安與不確定，於是透過風景與動物的題材，表達人類無法對抗大自然及時光的虛度，透露出生命中的無奈與不堪。

常玉出生於中國四川順慶（1935年改名南充），自幼在故鄉隨父親習畫，之後向書法家趙熙（1867-1948）習字，1921年因「勤工儉學」計畫前往巴黎，是早期留法學習藝術創作的中國畫家之一。他的作品融合了中國與西方藝術特色，經常利用簡潔有力的線條、造形與輪廓呈現獨特的個人風格，繪畫造形簡練、色彩單純，裸女、植物花卉、有動物的風景為其三大創作主題。

SANYU was one of the earliest Chinese artists to study in Paris. His works combine Chinese and Western art features, often using simple and powerful lines, shapes and contours to present a unique personal style. The paintings are simple and simple in color, and the nude girls, plants and flowers, and animal scenery are the three major themes.